All human experience: life, death, time, morality, prohibitions and laws.

Acrylic on canvas, 150x100 cm, 2022.

This painting is a visual treatise on the deepest aspects of human existence — it combines chaos and order, interacting on the canvas like an attempt to explain the incomprehensible through form, color, and text.

We see faces, resembling mirror reflections, with features that repeat and deform, hinting at the cycle of life and death, suggesting that we ultimately confront different versions of ourselves, mixed in a kaleidoscope of experience. The reds, oranges, and pinks speak of passion and struggle, while the black, almost murky lines, silently emphasize the constraints of society — the prohibitions and laws we create for our safety, yet through them, we also become captives.

Symbols, reminiscent of letters or signs, are scattered across the composition, as if trying to unlock a hidden truth that lies somewhere between time and love. Or could this just be meaningless encryption, which we impose on the chaos of existence to feel certainty?

If you look closely at these rhythms of color and form, you can see not only individual struggles but also the collective dance of humanity in the space between morality and madness, between the laws of nature and the rules we have invented for ourselves.

The irony is that despite all our attempts to rationalize this experience, life will always remain slightly more than just a series of disordered brushstrokes on a canvas, but isn't that its true beauty?